Panasonic 14-50mm ƒ/2.8-3.5 ASPH MEGA OIS Leica D VARIO-ELMARIT ~$1,000We haven't yet tested this lens, but if you'd like something a little faster (ƒ/2.8-3.5) and with a bit more robust build quality, this would be the lens for you; it also offers a bit more reach on the telephoto end. L'objectif HD aura un meilleur suivi autofocus des sujets en mouvement, surtout avec des mouvements rapides: son moteur d'AF est nettement plus performant. Panasonic Leica DG Vario-Elmarit 12-60 mm f/2.8-4 ASPH. I agree with the previous reviews to a great extent, although I see larger differences when compared with the extaordinary Olympus 12-40 at any aperture, the Panasonic showing significantly less "bite" from lack of microcontrast. It is. The 14-42mm ƒ/3.5-5.6 II was designed exclusively for the Micro Four-Thirds sensor size; it will function properly on other Micro Four-Thirds cameras, such as those produced by Olympus. Too bad. It is illegal to copy or redistribute any information found on this site in any way without the expressed written consent of CO-NET Robert Olech, Venus Optics LAOWA 9 mm f/5.6 FF RL review, Tamron 24 mm f/2.8 Di III OSD M 1:2 review, Olympus M.Zuiko Digital ED 100-400 mm f/5.0-6.3 IS – first impressions, Interview with Kazuto Yamaki - CEO of Sigma Corporation, Interview with Kazuto Yamaki CEO of Sigma Corporation, Review Venus Optics LAOWA 9 mm f/5.6 FF RL, Review Fujifilm Fujinon XF 16-80 mm f/4 R OIS WR, Sigma C 17-70 mm f/2.8-4.0 DC Macro OS HSM, Panasonic G VARIO 35-100 mm f/4.0-5.6 ASPH, Olympus M.Zuiko Digital 9-18 mm f/4.0-5.6 ED. This site is not responsible for any damage that the information on this site may cause to your system. The problems are becoming more serious with the increase of the focal length, though. This is around 50gm lighter than the previous G-series kit lens. Je le trouve meilleur au niveau netteté si je me fie au visionnage à 100% des photos réalisées avec chacun des objectifs. However, the Panasonic 14-42mm II is almost as small as the Olympus lens now in this configuration. Not really. That's why we would like to ask all those who visit, read, and care about Optyczne.pl, LensTip.com i Allbinos.com for support - it's enough you send us a small sum of money via PayPal. Macro performance is above average, with a 0.34x magnification rating and a minimum close-focusing distance of 30cm (around one foot). CA takes the form of magenta-blue fringing at edges of high contrast. Used in the lens' telephoto range (36-42mm), sharpness is excellent; you'll have to stop down to ƒ/8, for tack-sharp across the frame. Je suis d'accord avec toi. Pour le reste, je ne suis pas spécialiste... Zut ! Il est sans doute plus que correct comparé à la concurrence dans cette gamme de prix, surtout pour un objo de kit de base. There's really only one combination of focal length and aperture that produces results for chromatic aberration which are slightly higher than we'd prefer, at the 14mm setting with an aperture set higher than ƒ/11. For the ''VFA'' target (the viewfinder accuracy target from Imaging Resource), we also provide sample crops from the center and upper-left corner of each shot, so you can quickly get a sense of relative sharpness, without having to download and inspect the full-res images. Stopping down reduces this shading considerably, until at ƒ/8, there is no shading to speak of. arrive très vite ! Re : Panasonic 14-42 / Olympus 14-42 « Réponse #12 le: novembre 15, 2016, 17:17:35 » Alain Olivier, je viens de voir tes 3 photos tests d'abeille et sauterelle avec le … The Panasonic 14-42mm ƒ/3.5-5.6 II ASPH MEGA O.I.S. Overall the image in the frame centre is beyond any serious reproach. Panasonic Leica DG Vario-Elmarit 8-18 mm f/2.8-4 ASPH. Macro Otherwise, there is some very light barrel distortion at 14mm, and some very light pincushion distortion at 42mm. Autofocus Operation The prime lens wins easily and this comes.... joint second with the 12-35 and a bit ahead of 12-32 and 45-150. Panasonic 14-42mm ƒ/3.5-5.6 ASPH MEGA OIS LUMIX G VARIO ~$-The previous version of the lens is just slightly less sharp, a little larger, and a little heavier than the version II lens; otherwise, it's quite similar. The 14-42mm isn't a ''constant'' lens, in that as you increase the focal length, the maximum aperture size decreases, however the minimum aperture remains at f/22. Diffraction limiting sets in at ƒ/11, but you won't notice it until ƒ/16 or even ƒ/22. Mine is a plastic mount, but it's no problem at such a light weight. Shading (''Vignetting'') (purchased for $80), reviewed July 23rd, 2014 The zoom ring is smooth to turn, taking only two fingers to rotate, and offers around 75 degrees of turning action to run through the available range of focal lengths. It is as excellent as reviewed here. We shoot both images using the default JPEG settings and manual white balance of our test bodies, so the images should be quite consistent from lens to lens. bon, je viens de lire ce post en diagonale, mais la conclusion est que le 14-45 va devenir rare et culte? Compared to my Pana/Leica 25 at 5.6, there's not a dimes worth of difference, just a tiny bit more micro contrast in the center. Small changes in focus are conducted extremely quickly, and there's very little noise when the lens focuses. Results for the Mega O.I.S. They can be had on Ebay, new, (detached from GF6s) for a song. Personnellement, je ne trouve pas que l'optique ait régressé : ok 42 au lieu de 45, ok plastique au lieu de métal, mais j'ai encore comparé les photos et à 100% la netteté du 14-42 est quand même meilleure que celle du 14-45. Stopping down helps only slightly because with such an aperture the diffraction makes itself felt very quickly. I thought I'd try this lens simply to see if it is as good as the tests. It's worth noting that we're pretty sure the Panasonic cameras do some image post-processing to alleviate CA, shading and distortion. je crois que j'ai dit des bétises... Je télécharge tout et je compare avec fastone, ce qui me gène le plus, c'est le plastique de la monture, pour être honnéte, on peut toujours s'arranger pour shooer avec les bons diaphs mais on ne peut pas changer la monture et à terme l'usure doit se faire ressentir surtout si le plastique utilisé est lui aussi cheap. un seul test contraditoire, à 36mm 1:8, le 14/42 sur le coté droit, le bouchon vert est plus net avec le 14/42 qu'avec le 14/45 ? As well, the lens is physically smaller, at only 1.9" in depth instead of 2.4". Commandez le produit Lumix DMC-G7 avec objectif 14-42mm et 45-150mm (Noir) de Panasonic aujourd'hui! (purchased for $90), reviewed August 28th, 2015 You can get that last bit of quality and speed in another lens for sure, but you will pay far more and it will be decidedly heavier. Un 14mm fixe est en pré-vente, sortie début novembre. As sharp as any m43 zoom - better in some ways than my 12-35mm f/2.8. (purchased for $119), reviewed April 20th, 2014 Merci pour ce test assez contraignant à faire. To avoid space limitations with the layout of our review pages, indexes to the test shots launch in separate windows. Merci pour ce travail, une bonne base pour pouvoir faire son choix!!! Gosselin offre la plus grande sélection de produits de photographie au Québec. Build Quality and Handling The Panasonic 14-42mm ƒ/3.5-5.6 II lens represents the next iteration by Panasonic in reducing the size and weight of its kit lens: is quite small and light, weighing in at just 110gm (3.88 oz). Conclusion The following table reflects the change in aperture size with focal length: The lens takes 46mm filters, and ships with a petal-shaped hood. If a lot people decide to support our websites we think we'll stand a chance and survive next months without any lasting harm. POWER O.I.S. Despite that difficult situation we would like to preserve continuity and high quality of publications available on all our websites. Zooming in a bit into the mid-range (18-25mm), the lens shows some light softness when used wide open, particularly at the top of the frame; otherwise, there is some generous sharpness. The situation at longer focal lengths is a bit different - in this case, at the maximum relative aperture the image brushes against the usefulness limit. (purchased for $200). On aura 42mm pour le 14-42mm et 40mm pour le 14-45mm. Click here for Real-world Gallery Images on our Flickr page! The Panasonic 14-42mm II has definitely been improved from its pervious version - it produces almost tack-sharp images when used at its widest aperture - and stop down even just to ƒ/4 or ƒ/5.6 and images are absolutely sharp. This lens will get no respect because it's a "kit" lens. Panasonic continues to improve its kit lens, somehow making it smaller, lighter, and sharper than the previous version. The lens hood is a petal-shaped, bayonet-mounted design that nearly 2 inches long. Sharpness Distortion What’s more, at the maximum relative aperture the stopping down doesn’t bring any good results because you are never able to exceed the 40 lpmm level. SLRgear Review J'ai une question pour The Shield : pourquoi le couscous royal passe de 28 à 50 euros pour respectivement 2 et 4 personnes, alors que dans le même temps le méchoui à 28 pour 2 passe à 48 pour 4 ?!? image stabilization system were very good, showing about three stops of hand-holding improvement. It's worth noting that the new lens is a bit more conservative when it comes to its variable aperture; while it's marked as a ƒ/3.5-5.6 lens, by 25mm you're already limited to ƒ/5.3 as the minimum aperture. lens was based on RAW files from the Olympus E-PL1. Unbelievable.... 14-42mm f/3.5-5.6 II ASPH MEGA OIS LUMIX G Vario, reviewed May 16th, 2016 The ring will rotate forever in either direction with no hard or soft stops. Here, even at the maximum relative aperture the resolution values are nothing you can carp about. As appropriate, we shoot these with both full-frame and sub-frame bodies, at a range of focal lengths, and at both maximum aperture and ƒ/8. The lens uses the same seven curved diaphragm blades to make up the aperture, and the plastic body mount of the previous kit lens has returned to a metal mount in the version II lens. Imaging Resource © 1998 - 2020. The Panasonic 14-42mm ƒ/3.5-5.6 II is very quick to autofocus - the lens takes well under a second to slew through the entire range of focus. The resolution test of the Panasonic G X VARIO PZ 14–42 mm f/3.5–5.6 ASPH. Plastic lens mount. At the time of writing you can't buy it separately, so it's just worth saying that it makes an excellent starter lens for the G- or GF- series camera you buy it with. Voilà, l'ensemble des images a été posté. There is some very small lens extension as the lens is zoomed in towards 42mm, about 1/4 inch. I bought this with the Panasonic GF6 as its kit lens. In this respect it sits somewhere between the Panasonic pancake zoom lens (14-42mm f/3.5-5.6 OIS PZ) and its predecessors or in other words - it is in the dwarfish league. And for under $100 ! Le revêtement Nano Surface unique assure une réduction maximale des images fantômes et des reflets avec une clarté étonnante. Ca va venir automatiquement maintenant qu'ils ont fait à peu près tous les modèles de zooms lents possibles, Un petit comparatif à ce sujet : http://www.seriouscompacts.com/f41/mirrorless-camera-standard-zoom-shootout-impressions-558/. The Panasonic 14-42 is a quite slow lens and there is no room where it could spread its wings. There is no distance scale or depth-of-field scale on the lens; the only information is the focal length markings. Used wide open at wide angle (14mm @ ƒ/3.5), there's only the slightest amount of corner softness in the extreme corners, a definite improvement over the previous version of the lens. I bought the 14-42 to use as a lazy choice for my GM5 when I can't be bothered to carry multiple primes, and it's a decent enough performer. Stopping down to ƒ/5.6 and produces tack-sharp results at the focal length. Il sera aussi totalement silencieux (donc le micro de l'appareil ne captera pas le bruit du moteur), et surtout il a un diaphragme à ouverture continue, ce qui évite des "sautes" de luminosité sur la vidéo. Material on this site may not be reproduced, distributed, transmitted or otherwise used without the prior written consent of The Imaging Resource. P.O.I.S. SLRgear Review July 20, 2014 by Andrew Alexander. The focusing ring is plastic with raised ribs, just 1/4'' wide. The lens is available as part of a G6 and GF-6 camera kits. In the middle of the range, at the maximum relative aperture the lens is on the decency limit and at 42 mm it descend noticeably below it. Chromatic Aberration Still, we are now aware it might be impossible without additional financial help. Un détail que je n'ai pas regardé en comparant les 2 objectifs, c'est la video. The hood will reverse for storage on the lens. Period. The Panasonic 14-42mm ƒ/3.5-5.6 II ASPH MEGA O.I.S. L'Objectif Zoom Panasonic 14-42 mm F/3.5-5.6 Power répond à la norme Micro 4/3 et est également appelé « X ». Petit comparatif des 2 objectifs presque jumeaux de chez Panasonic. I prefer 12mm. Write your own user review for this lens. The image at the shortest focal length still isn’t alarming. The VFA target should give you a good idea of sharpness in the center and corners, as well as some idea of the extent of barrel or pincushion distortion and chromatic aberration, while the Still Life subject may help in judging contrast and color. The zoom ring is also plastic with raised ribs, about 1/2'' wide. To tell you the truth I didn’t expect better values when I started testing this lens. ce test montre aussi que la diffraction dû au diaph. At the end we present crops taken from our test chart photos saved as JPEG files. The Panasonic Lumix G 14-42mm f/3.5-5.6 ASPH OIS II has been completely redesigned from scratch and obviously a small size and low weight were primary design objectives this time. Very cheap. Again, this excellent performance continues all the way to ƒ/16, and then there's only light softness at ƒ/22. On stopping down the diffraction makes itself felt and it is the main limiting factor of the lens’s resolution. Near the maximum relative aperture it is limited by chromatic aberrations, not to be avoided in this case. I compared it to the 12-32, 12-35, 45-150 and 42.5 shooting flat detailed objects at 5 metres. As you see you can’t have any reservations about the performance at the shortest focal length - the images are sharp even at the maximum relative aperture. Otherwise, it's not so bad; other focal lengths when used wide open produce about a half-stop differential. This lens is half the weight 20% of the cost and has 90% of its performance. The performance of this lens is hard to believe. It converted me to M4/3 so I got an OMD M1. This has to be the bargain lens for m43 shooters. Optically, they're quite similar, with the Panasonic lens being a little sharper. Les Objectifs µ4/3 et bagues d'adaptations. Let’s see how the Panasonic 14-42 mm compares here. Unfortunately the performance on the edge of the frame is quite another story – it’s enough to look at a graph below to become convinced of it. It is almost always on my GX7, and it never fails to delight me with its competence. But I was pleasntly surprised when I tried it on my IR converted E-PL5, where it outperforms *all* my other lenses - even the Panasonic 14/2.5 which has a very solid IR performance. Pour la dernière série il y a une petite différence de prise de vue du fait de la différence de focale max de ces 2 objectifs. This lens is responsible! bon, il faut aussi relativiser, ferons-nous des agrandissements correspondant à ces crops 100% merci encore, et pas facile de trancher Panasonic has achieved this reduction in weight by changing the design of the lens: it only uses 9 elements in 8 groups, including 2 aspherical lenses, where the previous kit lens used 12 elements in 9 groups. July 20, 2014by Andrew Alexander. Panasonic 14-45mm ƒ/3.5-5.6 ASPH MEGA O.I.S Lumix G VARIO ~$-The "previous previous" kit lens isn't as sharp as the version 14-42mm II, but otherwise, it's a great kit lens - it's also just slightly longer on the telephoto end (45mm instead of 42mm). We count on your support and understanding, stay safe and be healthy. It's not a big deal but I thought I'd mention it. Olympus 14-42mm ƒ/3.5-5.6 II M.Zuiko ~$300Olympus' series of kit lens offers an innovative design which folds the lens back into itself to save space when not in use, making it quite small for storage. What’s more, the specific build of this lens forces some compromises as well – small dimensions, fitting little mirrorless cameras well, are a priority here but it means any records aren’t possible because the laws of physics. It’s worth reminding here that, in the case of the tests conducted using that body, the decency level is situated around 42 lpmm. Zoom creep is not a factor with this lens. I have the Oly 12-40 F2.8 Pro. It was the kit lens for the GX1 and a couple of other cameras for a while, and fortunately also available separately. The Panasonic 14-42mm ƒ/3.5-5.6 ASPH MEGA O.I.S. The coronavirus crisis has been adversely affecting many businesses and, sad but true, ours is not an exception. We know there's some complicated post-processing under the hood of these Panasonic cameras when we see its results for distortion; there hardly is any, especially between 18mm and 25mm. The Panasonic Lumix Vario PZ 14-42/3.5-5.6 X G (what a mouthful, hereafter known as the 14-42X) is a very small – about the size of the 20/1.7 pancake when collapsed – zoom for Micro Four Thirds. Check out our IS test tab above for more detailed results. A no brainer. Slow apertures. Fortunately on stopping down a bit it improves. Small, light, inexpensive, stellar IR performer. The most significant corner shading is produced at the widest angle and widest aperture setting: when set to 14mm and ƒ/3.5, the extreme corners will be 3/4 of a stop darker than the center. Stopping down to ƒ/8, is required for images to become tack-sharp. Should such results surprise us? You will probably never find a better deal. En utilisant la technologie optique de haute qualité de Panasonic, cet objectif X fournit une image nette. Light, sharp, cheap, good OIS. Lumix G Vario is an update to the original G1-system kit lens, slightly smaller and lighter, and with a 3mm reduction in its longest focal length. The lens offers focal lengths equivalent to 28-84mm, in 35mm film terms. Very light. Lumix G Vario is the third version of the G-system and GF-system kit lens, and slightly smaller and lighter than its predecessors. As with the previous design there is no exterior switch to control image stabilization, in fact there are no user controls at all on the lens other than the zoom and focus rings. Panasonic 14-42mm ƒ/3.5-5.6 ASPH MEGA OIS LUMIX G VARIO, Panasonic 14-45mm ƒ/3.5-5.6 ASPH MEGA O.I.S Lumix G VARIO, Panasonic 14-50mm ƒ/2.8-3.5 ASPH MEGA OIS Leica D VARIO-ELMARIT.